THE AXIOM OF CHOICE
The Continuum Hypothesis (2019)
Meat mincer
51 x 44 x 26 cm
Sectio Aurea (2018)
Wooden panels, wooden sticks, acrylic paint
Each panel 124 x 82 x 5 cm
Two (2018)
Wooden cube, wooden sticks, acrylic paint
80 x 50 x 50 cm
The Discovery of Forcing (2019)
Metal shelves, bubble level, book (Set theory
and the continuum hypothesis, P. Cohen)
178 x 90 x 30 cm
Le nom propre de l'être (2019)
Pray God, neon, book (L'être et l'événement, A. Badiou)
Variable dimensions
e (2017)
Wooden panels, wooden sticks, balsa, acrylic paint
Each panel 124 x 82 x 5 cm
Futur antérieur (2019)
Tables, sand, nylon bags
Variable dimensions
Stations of the Primes (VIII to XIV) (2019)
14 wooden panels, lacquer paint, balsa wood
Each panel 117 x 83 x 3 cm
The Fixed Point (2019)
Steel plate, chalk
216 x 70 x 1 cm
Moduli (2019)
Wooden panels, wooden sticks, acrylic paint and sewing rod
Each panel 96 x 62 x 5 cm
Forcing (2019)
Five plexiglass panels
Each panel 60 x 60 x 1 cm
Photo by Pieter Huybrechts
Photo by Pieter Huybrechts
Photo by Pieter Huybrechts
Photo by Pieter Huybrechts
Photo by Pieter Huybrechts
Photo by Pieter Huybrechts
Photo by Pieter Huybrechts
Photo by Pieter Huybrechts
Photo by Pieter Huybrechts
Photo by Pieter Huybrechts
Photo by Pieter Huybrechts
In Praise of Love (2019)
Neon installation
16 x 70 cm and 16 x 90 cm
The Continuum Hypothesis (2019)
Meat mincer
51 x 44 x 26 cm
Optimal Stopping (2019)
Typewriter, ink, paper
Variable dimensions
Nh5 (I & II) (2017)
Wooden panels, wooden sticks, colored paper, sewing rod
Each panel 90 x 90 cm